![]() ![]() UK and USA.Bridget Jones: The Edge of Reason is a 2004 romantic comedy film directed by Beeban Kidron and written by Adam Brooks, Richard Curtis, Andrew Davies, and Helen Fielding, based on Fielding's 1999 novel of the same name. Search in Google Scholarīridget Jones: The Edge of Reason. Search in Google Scholar Filmographyīridget Jones’s Diary. Towards a pragmatic taxonomy to misunderstandings. ![]() In Laurence Horn & Gregory Ward (eds.), The handbook of pragmatics, 607–632. In Jeroen Vandaele (ed.), Translation and the (Re)location of meaning : Selected papers of the CETRA research seminars on translation studies 1994-1996. Each time we laugh: Translated humour in screen comedy. Understanding film text: Meaning and experience. NJ: Fairleigh Dickinson University Press. The Oxford Shakespeare: Romeo and Juliet. California: University of California Press. Bridget Jones: The edge of reason: The director’s commentary. Willis (eds.), Culture, media, language, 128–138. Morgan (eds.), Syntax and semantics 3: Speech acts, 41–58. Search in Google Scholarĭíaz-Cintas, Jorge & Aline Remael. ![]() Reading between the lines, seeing beyond the images: An empirical study on the comprehension of implicit film dialogue meaning across cultures. Implicatures in film: Construal and functions in Bridget Jones romantic comedies. Manchester: The University of Manchester PhD Thesis. Towards a methodology for the study of implicatures in subtitled film: multimodal construal and reception of pragmatic meaning across cultures. The constraint of relevance in subtitling. Multimodal trancription and text analysis. Conversational and behavior games in the pragmatics of discourse. Search in Google ScholarĪirenti, Gabriela, Bruno Bara & Marco Colombetti. Texas: Harcout Brace Jovanovich College Publishers. ![]()
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